The censor certificate of the Dravidianist Brahmin woman fetish film “Bad Girl” that was labelled as “child pornography” by the Madras High Court has been making the rounds on social media.
The certificate issued on 18 June 2025 has some shocking revelations.
Backed by Vetrimaaran and Anurag Kashyap and directed by Varsha Bharath, the film is already under the scanner after the Madras High Court slammed its teaser as “child pornography.” Now, the Central Board of Film Certification’s (CBFC) order exposes the shocking vulgarity, abuse, and caste-hatred that the makers tried to smuggle into theatres.
This isn’t cinema – it’s Dravidianist propaganda wrapped in obscenity, and its release would set a dangerous precedent.
The CBFC’s Shocking Findings
The censor certificate dated 18 June 2025 lists the following disturbing content:
Profanity everywhere: Words like “f**ing, asshole, bitch, bastard, chooth”* had to be muted from dialogue and removed from subtitles.
Sexual obscenity: Intimate visuals were cut down by 20%.
Slurs: The word “Righties” was removed – this was likely there earlier to derogate the “right wing” population in the country/state.
The words “Low born” was replaced, showing the obsession with injecting caste hatred into every frame.
Mandatory disclaimers: The CBFC forced the filmmakers to declare that the movie does not intend to defame communities – an admission that its content clearly does.
If this is what survived after censorship, one can only imagine what was originally filmed.
Judicial Condemnation: A Landmark Order
Justice P Dhanabal’s order leaves no room for ambiguity. The High Court has unequivocally termed the teaser “child pornography” and ordered its removal from YouTube – an extraordinary legal intervention. The judgment highlights that:
School students (minors) are depicted in sexualized scenarios.
The content of the teaser, freely available, can “spoil the minds of children” and constitutes a “continuing offence.”
The State’s constitutional duty, under Articles 39(f) and 45 of the Constitution, is to protect children, not let their exploitation masquerade as entertainment.
This is not just artistic overreach, it is criminal irresponsibility, exploiting children and communities for cheap controversy and ideological vendetta.
When a court calls your teaser “child pornography,” you lose every shred of artistic credibility. Yet the film is brazenly marching toward a September 5 release.
The Makers’ Tired and Hateful Formula
Vetrimaaran and Anurag Kashyap are not brave artists challenging societal norms. They are merchants of outrage, specialists in a particularly vile form of storytelling that masquerades as social commentary while its true purpose is to defame, provoke, and divide.
Their formula is tired and transparent:
Target a Community: In this case, the Tamil Brahmin community. Make the protagonist a Brahmin girl only to have her “rebel” in the most clichéd, offensive ways possible, through substance abuse and promiscuity, thereby equating an entire community’s values with oppression.
Sexualize Minors: Set this “rebellion” in a school environment, sexualizing children to sell your warped narrative. This is exploitation. It is the oldest trick in the book to garner cheap attention, and the court has rightly called it what it is: child pornography.
Hide Behind “Art”: When caught, cry censorship and claim to be champions of free speech. But free speech does not include the right to depict children in a pornographic manner. It does not include the right to hate speech disguised as storytelling.
The teaser itself mimics a Brahmin household’s practices and rituals to ridicule them and uses imagery from the COVID-era ‘thaali bajao’ to mock supporters of the central government. This is a calculated, hate-filled propaganda piece designed to “delight the ever-hungry Dravidianist appetite”.
This Film Must Be Stopped
Bad Girl is yet another example of the peculiar Dravidianist fetish for Brahmin women, where hate and lust merge into vulgar cinema disguised as “progress.”
Such films must never see the light of the day. This is not about silencing “creativity”; it about stopping the exploitation of children for a political agenda. It is about telling Vetrimaaran, Kashyap, and director Varsha Bharath that their brand of hate-filled, child-endangering cinema has no place in a civilized society.
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