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THAMBRAAS Serves Legal Notice To Vetrimaaran For Offensive Portrayal Of Brahmin...

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Vetrimaaran distorted Poomani’s Vekkai in Asuran to push Dravidianist “oppressed, depressed, suppressed” propaganda.

Here’s How Vetrimaaran Distorted Poomani’s Original Story To Peddle The Dravidianist...

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If inter-caste love is so celebrated by Dravidianist filmmakers onscreen, why do they resist such marriages in their households?

For Dravidioids It’s Blood, For Tamil Brahmins It’s Tomato Chutney: How...

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Vetrimaaran hesitates to call out powerful upper-caste groups, as seen in his cautious handling of Asuran.

How Vetrimaaran Chickened Out And Yielded To Pressure From Mukkulathor Community...

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Will Vetrimaaran, Pa Ranjith, or Anurag Kashyap show any woman of their families as 'Bad Girl' indulging in vice?

Will The Pusillanimous Vetrimaaran/Pa Ranjith/Vijay Sethupathi Allow Women From Their Own...

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True progressiveness for Brahmin women lies in education, careers, and financial independence—not promiscuity, as 'Bad Girl' claims.

Tamil Brahmin Women Don’t Need To Be ‘Bad Girls’ To Emancipate...

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Why Should A Woman Be Chaste?, Bad Girl's Woke Director Varsha Bharath Asks

“Why Should A Woman Be Chaste?” Bad Girl’s Woke Director Varsha Bharath...

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Film Director Mohan G Slams Pa Ranjith And ‘Bad Girl’ Filmmakers...

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Bad Girl (2025) hints at a rebellious Tamil Brahmin woman breaking societal norms, reeking of Dravidianist propaganda.

Dravidianist Fetish For Brahmin Women Laid Bare In “Bad Girl” Produced...

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Gautham Menon questioned the necessity of said caste-based films, asserting they lack relevance in modern times.

“It’s Getting To Be A Bit Too Much, Nobody Wants That”:...

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