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Dravidianist Separatist Sympathizer Thirumurugan Gandhi Has Meltdown Over Major Mukund Varadarajan’s Biopic ‘Amaran’, Calls Kamal Haasan A ‘Sanghi’, Has Problems With Indian Army’s War Cry ‘Jai Bajrangbali’

The Commune
Dravidianist Separatist Sympathizer Thirumurugan Gandhi Has Meltdown Over Major Mukund Varadarajan's Biopic 'Amaran', Calls Kamal Haasan A 'Sanghi', Has Problems With Indian Army's War Cry 'Jai Bajrangbali'

In Tamil Nadu, the coalition of leftists, Islamists and Dravidianists, have been unable to bear the surge of nationalism among the public sparked by the film ‘Amaran’, which chronicles the heroic life of Indian Major Mukund Varadharajan, who sacrificed his life in a counter-terror operation in Shopian, Kashmir. Initially, these groups pushed the narrative that the film was “Islamophobic,” a claim that was baseless and misleading, which led Muslim leaders in the state to protest and demand a ban.

In a recent development, Dravidianist Thirumurugan Gandhi, the founder of the May 17 Movement and a known sympathizer of extreme left and separatist ideologies, has made a new, equally unfounded allegation on ‘Amaran’. He objects to the portrayal of Indian Army soldiers shouting “Jai Bajrangbali” without realizing that it is the battle cry used by the Indian Army’s Rashtriya Rifles and the Rajput Regiment military units.

In a recent press conference, Thirumurugan Gandhi, has raised objections and criticized ‘Amaran’ for allegedly depicting the entire Kashmiri population as enemies, which he claimed is a “one-sided” narrative that undermines the rights of the people of Kashmir. He argued that the film reflects a biased political stance and called on the producer and director to answer for the portrayal.

Gandhi also condemned the praise ‘Amaran’ received from Seeman, leader of the Naam Tamilar Katchi, who reportedly invited Yasin Malik, a Kashmiri separatist leader, to speak at his conference. Gandhi criticized this as a glaring contradiction, highlighting Seeman’s controversial stance and questioning the inconsistency in his political actions.

He also criticized the depiction of  Major Mukund Varadarajan, the film’s protagonist, who is shown saying “Jai Bajrangbali” before heading into battle, questioning the relevance of the slogan in the Indian Army. Gandhi contended that the Indian military, which comprises soldiers of various faiths, does not use religious slogans like “Jai Bajrangbali” and suggested that the portrayal in ‘Amaran’ was “anti-military” and “anti-Muslim.”

He questioned, “Before Major Mukund Varadharajan went into battle, he shouted ‘Jai Bajrangbali.’ But I ask, when in the Indian Army have soldiers ever shouted ‘Jai Bajrangbali’? When has this RSS Hindutva slogan ever been used? This is why we’ve been saying for years that Kamal Haasan is  a ‘Sanghi’. He is a person who is repeatedly spewing Islam hate”.

Continuing his criticism, Gandhi accused Kamal Haasan, the part-time politician and full-time actor-producer of ‘Amaran’ of harboring anti-Muslim sentiments. He alleged that Haasan promotes a Hindutva agenda through his films. Gandhi further claimed that Haasan deliberately chooses controversial topics, steering clear of narratives that would resonate with the common people of Tamil Nadu—such as stories highlighting the struggles of ordinary citizens, like the death of a fisherman and the suffering of his widow. Gandhi concluded by accusing Kamal Haasan of making films that inflame caste divisions and stir political controversies, instead of focusing on stories that reflect the real, everyday issues facing Tamil society.

Social media users and netizens have expressed their anger over Thirumurugan Gandhi’s remarks, accusing him of promoting anti-India sentiments and spreading falsehoods about the Indian Army’s war cry being part of a Hindutva agenda. Critics flooded social media with sharp rebukes, educating Gandhi on the true nature of the Indian Army’s battle cries and highlighting the patriotic spirit behind them, urging him to reconsider his statements.

In the Indian Army, each regiment or unit has its own distinctive “war cry”, a phrase or slogan used to inspire and motivate soldiers in battle, boost morale, and reinforce the identity and legacy of the unit. These war cries are often deeply rooted in cultural, religious, or regional traditions, and they reflect the unique history, values, and spirit of the regiment. Below is an explanation of the war cries for various regiments:

Each of these war cries is more than just a slogan; it carries the weight of history, culture, and values, forging a unique identity for the regiments they represent. They are a source of immense pride, symbolizing the collective strength, valor, and determination of the soldiers who serve in these units.

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